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Review Bootlegs and B-Sides - Volume 3. Write a review. How our UK shipping works. Sending to our UK warehouse Typically takes 2 - 3 days. It's probably best that we skip ahead to the next track K-Dee is more obsessed with fucking, but as this is a gangsta rap record, that was to be expected.
The title is a bit disturbing if you actually believe that any of these guys would actually murder their various sources of potentially disease-free pussy, I suppose. Cube's beat is actually pretty fucking good: it isn't exactly wasted on this track, since both rappers sound decent enough, but one if left wishing that it saw better days.
I understand this track is almost universally hated by Mack 10's fans, but I don't know why: this shit actually sounds much better today than most of the fucking album. Although the hook is fucking terrible, and the singing toward the end is both disorienting and downright offensive to the ears, this song still bangs today.
Maybe I'm in the minority as I am on a lot of these things, apparently , but I thought this shit rocked. I'm interested in hearing your opinions. Because his audience apparently demanded it, Mack 10 finally gets to the mandatory sex rap with this ode to promiscuous sex in one of those motels where you can rent a room by the hour. Our host doesn't sound natural in this environment: nowhere is this more obvious than when he actually pronounces the song's title. I'm not saying the song is any good, though.
Too bad our host's lyrics fucking suck : for some reason, he devoted this track to his rap name, and at the very end he even advises other up-and-coming rappers to find a different handle, because he's got this.
I've heard dumber reasons to write a rap song have you heard what gets played on rap radio today? This phenomenon hasn't happened on this project up until now, though, so I'll give the man credit: Mack 10 has remained fairly consistent behind the mic even when his beats failed him. Still a weird way to close things out, though. The music presented on here is wholly representative of what the West Coast sound was perceived to be back in , and Dedrick's flow, although not great by any means, fits over most of them like a glove.
Mack 10 rarely strays from what he knows: indeed, pretty much every single one of the songs on here talks about the exact same shit. But he sounds fairly convincing on the majority of Mack 10, spitting his street rhymes and braggadocio with confidence and with a healthy dose of possibly unintentional humor. Mack 10 shouldn't be looked at as a gateway album for anybody to use when trying to get into gangsta rap, but for what it is essentially a recounting of a day in the life of our host , it's interesting enough.
If you can find it for cheap, I would recommend a purchase. Only a handful of tracks are must-hears, but the rest of Mack 10 is fairly entertaining, so at least it won't be a waste of your money or time.
O'Shea runs down the details of living in South Central Los Angeles, an area where a vicious, violent cycle plays out between its residents and the LAPD on a daily basis.
This still sounded alright enough, but the beat and sampled vocal on the hook alleviate the tension in the worst kind of way. I preferred Cube's slower, more menacing delivery on the original: on here he recites the same bars, but it almost seems like he's trying to run through them as quickly as he can so that he can go see a girl about some pussy. O'Shea throws listeners for a loop, however, when, immediately after completing his third verse, he launches into some exclusive new lyrics that celebrate the overall remix-iness of the whole affair.
The new bars aren't great, and they don't prove that Ice Cube is the voice of his generation or anything, but this reimagining could have been worse. And, of course, this being his song, he's banging that same chick within four bars.
Our host even manages to sneak in a warning to those in the audience who were most likely to date-rape a chick before hearing Cube's words cautioning otherwise. I liked this as a b-side back in the day, and I still found it enjoyable enough today, although O'Shea the horndog fails to say anything significant on here. In fact, our host's lyrics are fucking terrible on here. Still, though, entertaining. Sue me. Guest stars Das EFX work the chorus just as they did before, with the exact same results: when they don't really say all that much in the first place, it's easy for them to sound like professionals.
I like the album version more, but this remix became popular for a very good reason. The timeframe described in the title would place this track in the Lethal Injection era, so it makes sense that the lyricism on here isn't as barbed as one would like.
Still, this is the angriest Cube has sounded on the compilation thus far. Over a Dr. Joe's remix is much eerier than the album cut, which is appreciated, and the subject matter remains dark and depressing this track is about the kids who grow up into a violent gang-related lifestyle because that's all they know, and the children entering the life keep getting younger and younger. That's the least appealing description of gangbanging that I have ever heard. But the song itself doesn't hit me as hard as it used to.
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